Finale 2009 For Mac
2021年7月28日Download here: http://gg.gg/viuzm
*Finale 2009 For Mac Os
*Finale 2009 For Mac Pro
*Finale 2009 Mac
*Finale 2009 Mac Download
Jul 10, 2019 Locate the ’Finale your version number here’ application and move it to the Trash. Restart your computer. If you would like to reinstall a previous version of Finale, you can certainly do so. Use the installation disc (Finale 2011 and earlier) or download the installer from your MakeMusic account (Finale 2012 and later). Note: Old documents (those created in Finale version 2003 or earlier) that contain lyrics retain all word extension positioning information when converted to Finale 2009 format. However due to possible conflicts with existing word extensions, Smart Word Extensions. Produce the music of your imagination without compromise. No other music notation software offers Finale’s level of control, letting you decide both what and how you create. At every rehearsal, know that your score will sound great, your parts are ready, and you have clearly communicated your musical vision. Finale 2009 free download - Finale NotePad 2009, Finale, Finale, and many more programs. Enter to Search. My Profile Logout. CNET News Best Apps. Note: Old documents (those created in Finale version 2003 or earlier) that contain lyrics retain all word extension positioning information when converted to Finale 2009 format. However due to possible conflicts with existing word extensions, Smart Word Extensions are not active in converted documents by default.
Tutorial 6: Playback
It may be that you’re more interested in using Finale as a notation-based pseudo-sequencer than as a notation program. If so, this tutorial will introduce you to some of Finale’s special playback and MIDI capabilities. If you don’t plan to play back with Finale, skip ahead to Tutorial 7.
One of Finale’s strengths is its versatile playback and MIDI editing capabilities. You have extensive of control over broad-scale playback effects, and of course, the most minute details. For example, you can choose to playback using professional GPO instrument sounds, indicate your piece is to be performed in a Reggae style with Human Playback, and then adjust the volume and panning in real time with Finale’s mixer controls. Then, if a section doesn’t sound exactly as you like, use the MIDI Tool to rework the most subtle detail.
This chapter will first guide you through the easy ways to get your music sounding great, and then delve into some advanced MIDI editing topics for the perfectionists.
Assigning MIDI Channels and Instruments
Usually, the first step to preparing a score for playback is assigning instruments to staves. If you began your score (or added staves) with the Setup Wizard, instruments have been assigned for you automatically. Even so, you may need to edit the channel, patch, or bank depending on your MIDI output device. For example, setting each staff to its own channel allows you to make changes to each staff individually in real-time using the Mixer or Staff Controls. You can modify the instrument sound, volume, panning, and channel for every staff individually. Furthermore, you can adjust all of these settings for separate layers (voices) within a single staff.
In this section, you’ll learn how to manipulate the channel and instrument for staves using the Instrument List.Close any documents you have open, and open the document called “Tutorial 6.” This document is a short arrangement for piano, bass, strings, and harp. (If you are having difficulty seeing all of the staves on your monitor, select a different view percentage from the Scale View to submenu of the View Menu.)From the Window Menu, choose Instrument List. The Instrument List appears—a staff-by-staff listing of your score. Each staff name has several columns.Make sure that the Send Patches Before Play check box, found in the lower-left corner of the Instrument List window, is checked.
An Instrument contains the information needed to access a specific MIDI sound. This includes a name for identification of the Instrument, a channel number to send the information on, and Patch information, consisting of Program change and optional bank change data. An Instrument can be assigned to several staves—if you write a piano part, for example, you’ll certainly want both staves to play over the same MIDI channel and the same piano sound, so you’d designate the two staves using the same Instrument. An Instrument can also be used for just one layer of a staff. If you wrote a flute and a clarinet part both on a single staff, but in different layers, each one could have its own Instrument, and thus have its own MIDI channel and patch assignment.
As you can see from the previous diagram, the Instrument List gives you a convenient way to control which staves play back. Click in the Mute column (M) to mute a staff—or click in the Solo column (S) to isolate a staff (and silence the others).From the Instrument drop-down list across from the [Staff 3] staff, choose New Instrument. You’ll need to scroll up to see New Instrument. The Instrument Definition dialog box appears.Name this Instrument “Harp.” Then, type 2 in the Channel text box. You’ll need to set each instrument to a unique channel, so we can send MIDI data to each instrument independently. Next to General MIDI, you’ll see “1: Acoustic Grand Piano.” Click on the down arrow and choose “47: Orchestral Harp.” GPO users, note the General MIDI sound selected does not apply to GPO for playback in any way. If you intend to use GPO for playback only (or any non-General MIDI device), this step is not necessary. For further discussion of the Bank Select, Program Change, and General MIDI options, consult the User Manual under Instrument Definition dialog box.Click OK. The Instrument List shows the new Instrument name for the first staff.From the Instrument drop-down list across from the [Staff 4] staff, choose “Harp.” The same instrument defined for the previous staff also applies to this one.
From the Instrument drop-down list across from the Strings staff, choose New Instrument. Name the Instrument “Strings,” and assign it to Channel 3. From the General MIDI Menu, choose “49: String Ensemble 1.” Click OK.
Notice that the Piano and Piano (LH) staves are already assigned to an instrument called “Grand Piano” on channel 1. You can leave these two staves alone. You don’t have to create new Instrument names. If you find it easier, you can just edit one of the existing names provided by Finale.From the Instrument drop-down list across from the Bass staff, choose Acoustic Bass. Your final setup should look like this:If necessary, drag the Instrument List box so that you can see the first measure.Windows users, while pressing the Space bar, click the first measure. Macintosh users, just press the spacebar. If Finale’s SmartMusic SoundFont is selected under the MIDI Menu, or your MIDI device is correctly configured, you’ll hear the arrangement performed. Click the score to stop playback (Macintosh: Press the Spacebar again).
Now suppose you decide to play the piano part on a different channel—channel 11, for example. Edit the “Chan.” column for one Piano staff. Since both Piano staves are assigned to the Piano Instrument, Finale changes the channel assignment of both staves to channel 11 automatically. When you do this, the general MIDI instrument will also change for both staves (since there is another instrument definition using channel 11, in this case, Bassoon). Click the drop-down (Macintosh: pop-up) menu under the GM column and choose the Piano sound for one of the piano staves. They will both change to the piano sound. Before moving on, change the Piano staves back to channel 1.Close the Instrument List window by clicking its close button. Choose Save from the File Menu so that this piece will be ready to play the next time you open it.
Using Aria Player with Garritan Personal Orchestra
Up to this point you’ve probably been listening to Finale’s performances using the standard General MIDI sounds. Although the SmartMusic SoftSynth is a first-rate GM SoundFont, Finale also offers professionally sampled sounds from Garritan Personal Orchestra’s renowned collection of world-class instrument libraries. These are real instrument recordings that have been professionally mastered, offering the most realistic sounding playback imaginable. An assortment of GPO instruments is included with your Finale package, and can be selected while starting a new score with the Setup Wizard, or assigned to existing instrument staves.
You can use a MIDI hardware device or a VST player (such as the Aria Player for Finale) for playback, but only one of these methods for any given document. The SmartMusic SoftSynth sounds are available as a VST library and SoundFont, so they can be assigned through MIDI (MIDI Setup) or the Audio Units Instruments dialog box.
Note the recommended system requirements for GPO are higher than Finale’s recommended system requirements. The steps in this section require at least 512 MB of RAM. Close all applications other than Finale.
To specify you want to use GPO instruments while beginning a new score, do the following. (Do not close Tutorial 6, we’ll continue where we left off soon).Launch the Setup Wizard. Either click Setup Wizard in the Launch Window, or, from the File Menu, choose New > Document with Setup Wizard.Click Next to move to Page 2.From the drop-down menu at the top, choose “Garritan Instruments for Finale 2009.” A new set of instruments appear in the lists below.Add these instruments and complete the wizard as you would normally. When the score appears, all staves are set up to use GPO instruments automatically. Enter some notes and click the Play button in the Playback Controls to audition these instrument sounds.
Of course, you can also assign GPO instruments to existing staves. When doing so, you also need to assign the stave’s corresponding channel in the Aria Player. Here’s how:From the Window Menu, choose the Tutorial 6 file we were working with earlier. It will be at the bottom of the Window Menu and titled “Tutorial 6.mus.”
Windows users press -Tab, and Mac users, -‘ to switch between active documents.From the MIDI/Audio Menu, Choose Instrument Setup > VST Instruments (Mac users, Audio Units Instruments). The The VST/AU Instruments dialog box appears.From the drop-down menu to the right of 1-16, choose Instruments for Finale 2009. Note that in the future you can choose Instruments for Finale 2009 for all of these slots. Each incarnation of the player can house 16 different instruments, so you can use up to 128 total in a document simultaneously.
If you upgraded from Finale 2006, you will also see an option for “Finale GPO” which continues to be available for Files created in Finale 2006 that were configured to use the original Finale GPO. “Finale GPO” supports 8 channels per player for a total of 64 possible.Click the Edit button to the right. The Aria Player appears. Use the Aria Player to assign Garritan instruments to channels equivalent to those specified for that instrument’s staff in the Instrument List.Click the triangle to the right of the Instruments button and select Keyboards > Steinway Piano.
Steinway Piano now appears in the slot for channel 1. Remember the Piano staff is already set to channel 1 in the Instrument List. You might want to open the Instrument List and move it to the top of the screen as a reference while assigning channels with the Aria Player.For channel 3, add Section Strings > Full Strings > Full Strings Arco, then for channel 4, Solo Strings > Dbl Bass > Dbl Bass Plr1.Now that all instruments have been set, close out of the Aria Player. If the Playback Controls are not visible, from the Window Menu, choose Playback Controls. Click the Play button to review playback. Finale plays your score using the Garritan instruments you selected.
Remember that each incarnation of the Aria Player only accommodates 16 instruments. Therefore, if you would like to use separate GPO instruments for 17 or more staves, you will need to add another device in the Audio Units Instruments dialog box. Refer to Aria Player in the User Manual for details. See also the GPOHP Tutorial Supplement. If you plan to use Garritan instruments regularly, set staves to consecutive ascending channels in the Instrument List as we did in this tutorial. (Set the top staff to channel 1, second staff to channel 2, etc.) When you do so, you can simply add instruments to the Aria Player in the same order as instrument staves in the score. Also note the Document Setup Wizard automatically assigns channels to staves this way. Note that the channel list in the Aria Player always reads 1-16, even while assigning instruments to Finale channels higher than 16 in the VST/AU Instruments dialog box (bank 17-32, bank 33-48, etc).
The Mixer
As you listen to your document, you may discover a need to adjust the balance of individual staves. For example, you may want to increase the volume of the flute section, or move the trumpet section to the right side of the stage using panning controls. You can use Finale’s Mixer controls to make these adjustments. The Mixer allows you to make real-time playback adjustments to the full score, or each staff individually. The mixer settings you apply are post-processed on top of existing playback data, so all existing MIDI data, including HP, is left as-is (as if you were sending the music from your computer through a conventional mixer). Mixer settings appear in the Mixer window and Staff Controls. There is even a view, Studio View, designed specifically for auditioning your score. To view these controls, do the following.
Volume, panning, and instrument controls in the Mixer and Studio View Staff Controls are linked. A change to a setting in one of these two places applies to both.From the View Menu, choose Studio View. Your music is stretched across the page as if you were in Scroll View. The Staff Controls appear to the left of your staves. The Staff Controls are permanently affixed to the left of your staves in Studio View (and only available in Studio View).From the Window Menu, choose Mixer. The Mixer window appears. All the staff controls appear at first. In the following example the Mixer is minimized. Mac users, click and drag the lower right-hand corner to adjust the size of the mixer. Windows users, move your cursor over the edge until you see a double-sided arrow, then click and drag to resize the mixer.
The Master controls apply to the full score and include a volume slider, reverb dial and room size dial. Staff Controls include a volume slider, pan dial, and instrument selector, as well as Solo, Mute, and Record buttons. All Staff Control settings are redundant to the staff controls in the Mixer. All Mixer/Staff Control settings are saved with the document, so your music will sound the same the next time you open it.
Now, let’s take a quick tour of the Mixer controls and explore some real-time playback effects:Click the Play button in the Playback Controls. The following steps should be performed during playback. It is a short piece, so if you reach the end, just click the play button again and continue where you left off.Click the Master Volume Slider in the Mixer and drag to adjust the volume. Then, to make fine adjustments, use the up and down arrows to move the slider incrementally. You can also view these changes, or enter them manually, in the Instrument list.Click the INST LIST button at the bottom of the Master control pane. The Instrument List appears. Click the Title Bar at the top and position it so it is not obstructing the Mixer or Staff Controls.In the Staff Controls on the left side of the screen. Click and drag a Pan dial counterclockwise as far as possible for one of the Piano staves. When you release the mouse button, a small box displays the current value. Notice the piano shifts to the left speaker or headphone. Also notice the sympathetic response in the Pan text boxes of the Instrument List. You can also type a MIDI value (1-127) in any of these text boxes to specify a precise value.
Volume, panning, and instrument controls in the Mixer and Studio View Staff Controls are linked. A change to a setting in one of these two places applies to both.To the left of the String staff, Click the “S” button in the Staff Controls. You are now listening to a string solo. Click “S” again to hear all the staves. The “M” performs the opposite function of muting a staff. You can mute or solo as many staves as you want.Finally, click the Reverb dial and drag clockwise. The Reverb and Room Size effects apply only to the overall output.
Human Playback
Finale includes a powerful capability to interpret articulations, expressions, hairpins, and other markings, and generate playback that simulates a live human performance. This feature, called “Human Playback,” can be set to emulate a specific musical style, such as classical, baroque, or jazz, and can even recognize and interpret expression text that appears in the score, such as “rit.” or “cresc.”, and adjust the tempo or dynamic level accordingly. Human Playback will even include Smart Shapes in its interpretation including crescendos/diminuendos (hairpins), glissandos, and trills. If your goal is to create a MIDI performance that sounds closer to a human performance, try these options first.
Caution: If you are using the Human Playback feature, MIDI data assigned to the document manually with the MIDI Tool or Expression Tool will not apply to the MIDI performance. To turn off Human Playback, in the Playback Settings, under Human Playback Style, choose None. (You can still apply Human Playback to regions of your score with the Apply Human Playback plug-in).
When you start a new Finale document, Human Playback is on by default and set to the “Standard” playback style. Simply add some of the markings just mentioned and playback the score to hear Human Playback at work. To customize Human Playback’s interpretation, do the following:Windows users, click the Playback Settings icon on the playback controls. Macintosh users, click the expand arrow on the Playback Controls. The Playback Settings appear.From the MIDI/Audio menu, choose Human Playback, and select the desired style. For example, the Jazz style adds a swing feel to the piece. The Baroque style performs articulations according to standard baroque performance standards.Choose None to turn off Human Playback.
Click Human Playback Preferences to customize Human Playback’s interpretation.
You can also apply Human Playback to a region of your score using the Apply Human Playback plug-in. To do this, first, set Human Playback to None in the Playback Settings (Mac: Playback Controls), then highlight a region of your score with the Selection Tool and from the Plug-ins Menu, choose Playback > Apply Human Playback. See Playback in the User Manual for more details.
If you want more control over every detail of Finale’s MIDI performa
https://diarynote.indered.space
*Finale 2009 For Mac Os
*Finale 2009 For Mac Pro
*Finale 2009 Mac
*Finale 2009 Mac Download
Jul 10, 2019 Locate the ’Finale your version number here’ application and move it to the Trash. Restart your computer. If you would like to reinstall a previous version of Finale, you can certainly do so. Use the installation disc (Finale 2011 and earlier) or download the installer from your MakeMusic account (Finale 2012 and later). Note: Old documents (those created in Finale version 2003 or earlier) that contain lyrics retain all word extension positioning information when converted to Finale 2009 format. However due to possible conflicts with existing word extensions, Smart Word Extensions. Produce the music of your imagination without compromise. No other music notation software offers Finale’s level of control, letting you decide both what and how you create. At every rehearsal, know that your score will sound great, your parts are ready, and you have clearly communicated your musical vision. Finale 2009 free download - Finale NotePad 2009, Finale, Finale, and many more programs. Enter to Search. My Profile Logout. CNET News Best Apps. Note: Old documents (those created in Finale version 2003 or earlier) that contain lyrics retain all word extension positioning information when converted to Finale 2009 format. However due to possible conflicts with existing word extensions, Smart Word Extensions are not active in converted documents by default.
Tutorial 6: Playback
It may be that you’re more interested in using Finale as a notation-based pseudo-sequencer than as a notation program. If so, this tutorial will introduce you to some of Finale’s special playback and MIDI capabilities. If you don’t plan to play back with Finale, skip ahead to Tutorial 7.
One of Finale’s strengths is its versatile playback and MIDI editing capabilities. You have extensive of control over broad-scale playback effects, and of course, the most minute details. For example, you can choose to playback using professional GPO instrument sounds, indicate your piece is to be performed in a Reggae style with Human Playback, and then adjust the volume and panning in real time with Finale’s mixer controls. Then, if a section doesn’t sound exactly as you like, use the MIDI Tool to rework the most subtle detail.
This chapter will first guide you through the easy ways to get your music sounding great, and then delve into some advanced MIDI editing topics for the perfectionists.
Assigning MIDI Channels and Instruments
Usually, the first step to preparing a score for playback is assigning instruments to staves. If you began your score (or added staves) with the Setup Wizard, instruments have been assigned for you automatically. Even so, you may need to edit the channel, patch, or bank depending on your MIDI output device. For example, setting each staff to its own channel allows you to make changes to each staff individually in real-time using the Mixer or Staff Controls. You can modify the instrument sound, volume, panning, and channel for every staff individually. Furthermore, you can adjust all of these settings for separate layers (voices) within a single staff.
In this section, you’ll learn how to manipulate the channel and instrument for staves using the Instrument List.Close any documents you have open, and open the document called “Tutorial 6.” This document is a short arrangement for piano, bass, strings, and harp. (If you are having difficulty seeing all of the staves on your monitor, select a different view percentage from the Scale View to submenu of the View Menu.)From the Window Menu, choose Instrument List. The Instrument List appears—a staff-by-staff listing of your score. Each staff name has several columns.Make sure that the Send Patches Before Play check box, found in the lower-left corner of the Instrument List window, is checked.
An Instrument contains the information needed to access a specific MIDI sound. This includes a name for identification of the Instrument, a channel number to send the information on, and Patch information, consisting of Program change and optional bank change data. An Instrument can be assigned to several staves—if you write a piano part, for example, you’ll certainly want both staves to play over the same MIDI channel and the same piano sound, so you’d designate the two staves using the same Instrument. An Instrument can also be used for just one layer of a staff. If you wrote a flute and a clarinet part both on a single staff, but in different layers, each one could have its own Instrument, and thus have its own MIDI channel and patch assignment.
As you can see from the previous diagram, the Instrument List gives you a convenient way to control which staves play back. Click in the Mute column (M) to mute a staff—or click in the Solo column (S) to isolate a staff (and silence the others).From the Instrument drop-down list across from the [Staff 3] staff, choose New Instrument. You’ll need to scroll up to see New Instrument. The Instrument Definition dialog box appears.Name this Instrument “Harp.” Then, type 2 in the Channel text box. You’ll need to set each instrument to a unique channel, so we can send MIDI data to each instrument independently. Next to General MIDI, you’ll see “1: Acoustic Grand Piano.” Click on the down arrow and choose “47: Orchestral Harp.” GPO users, note the General MIDI sound selected does not apply to GPO for playback in any way. If you intend to use GPO for playback only (or any non-General MIDI device), this step is not necessary. For further discussion of the Bank Select, Program Change, and General MIDI options, consult the User Manual under Instrument Definition dialog box.Click OK. The Instrument List shows the new Instrument name for the first staff.From the Instrument drop-down list across from the [Staff 4] staff, choose “Harp.” The same instrument defined for the previous staff also applies to this one.
From the Instrument drop-down list across from the Strings staff, choose New Instrument. Name the Instrument “Strings,” and assign it to Channel 3. From the General MIDI Menu, choose “49: String Ensemble 1.” Click OK.
Notice that the Piano and Piano (LH) staves are already assigned to an instrument called “Grand Piano” on channel 1. You can leave these two staves alone. You don’t have to create new Instrument names. If you find it easier, you can just edit one of the existing names provided by Finale.From the Instrument drop-down list across from the Bass staff, choose Acoustic Bass. Your final setup should look like this:If necessary, drag the Instrument List box so that you can see the first measure.Windows users, while pressing the Space bar, click the first measure. Macintosh users, just press the spacebar. If Finale’s SmartMusic SoundFont is selected under the MIDI Menu, or your MIDI device is correctly configured, you’ll hear the arrangement performed. Click the score to stop playback (Macintosh: Press the Spacebar again).
Now suppose you decide to play the piano part on a different channel—channel 11, for example. Edit the “Chan.” column for one Piano staff. Since both Piano staves are assigned to the Piano Instrument, Finale changes the channel assignment of both staves to channel 11 automatically. When you do this, the general MIDI instrument will also change for both staves (since there is another instrument definition using channel 11, in this case, Bassoon). Click the drop-down (Macintosh: pop-up) menu under the GM column and choose the Piano sound for one of the piano staves. They will both change to the piano sound. Before moving on, change the Piano staves back to channel 1.Close the Instrument List window by clicking its close button. Choose Save from the File Menu so that this piece will be ready to play the next time you open it.
Using Aria Player with Garritan Personal Orchestra
Up to this point you’ve probably been listening to Finale’s performances using the standard General MIDI sounds. Although the SmartMusic SoftSynth is a first-rate GM SoundFont, Finale also offers professionally sampled sounds from Garritan Personal Orchestra’s renowned collection of world-class instrument libraries. These are real instrument recordings that have been professionally mastered, offering the most realistic sounding playback imaginable. An assortment of GPO instruments is included with your Finale package, and can be selected while starting a new score with the Setup Wizard, or assigned to existing instrument staves.
You can use a MIDI hardware device or a VST player (such as the Aria Player for Finale) for playback, but only one of these methods for any given document. The SmartMusic SoftSynth sounds are available as a VST library and SoundFont, so they can be assigned through MIDI (MIDI Setup) or the Audio Units Instruments dialog box.
Note the recommended system requirements for GPO are higher than Finale’s recommended system requirements. The steps in this section require at least 512 MB of RAM. Close all applications other than Finale.
To specify you want to use GPO instruments while beginning a new score, do the following. (Do not close Tutorial 6, we’ll continue where we left off soon).Launch the Setup Wizard. Either click Setup Wizard in the Launch Window, or, from the File Menu, choose New > Document with Setup Wizard.Click Next to move to Page 2.From the drop-down menu at the top, choose “Garritan Instruments for Finale 2009.” A new set of instruments appear in the lists below.Add these instruments and complete the wizard as you would normally. When the score appears, all staves are set up to use GPO instruments automatically. Enter some notes and click the Play button in the Playback Controls to audition these instrument sounds.
Of course, you can also assign GPO instruments to existing staves. When doing so, you also need to assign the stave’s corresponding channel in the Aria Player. Here’s how:From the Window Menu, choose the Tutorial 6 file we were working with earlier. It will be at the bottom of the Window Menu and titled “Tutorial 6.mus.”
Windows users press -Tab, and Mac users, -‘ to switch between active documents.From the MIDI/Audio Menu, Choose Instrument Setup > VST Instruments (Mac users, Audio Units Instruments). The The VST/AU Instruments dialog box appears.From the drop-down menu to the right of 1-16, choose Instruments for Finale 2009. Note that in the future you can choose Instruments for Finale 2009 for all of these slots. Each incarnation of the player can house 16 different instruments, so you can use up to 128 total in a document simultaneously.
If you upgraded from Finale 2006, you will also see an option for “Finale GPO” which continues to be available for Files created in Finale 2006 that were configured to use the original Finale GPO. “Finale GPO” supports 8 channels per player for a total of 64 possible.Click the Edit button to the right. The Aria Player appears. Use the Aria Player to assign Garritan instruments to channels equivalent to those specified for that instrument’s staff in the Instrument List.Click the triangle to the right of the Instruments button and select Keyboards > Steinway Piano.
Steinway Piano now appears in the slot for channel 1. Remember the Piano staff is already set to channel 1 in the Instrument List. You might want to open the Instrument List and move it to the top of the screen as a reference while assigning channels with the Aria Player.For channel 3, add Section Strings > Full Strings > Full Strings Arco, then for channel 4, Solo Strings > Dbl Bass > Dbl Bass Plr1.Now that all instruments have been set, close out of the Aria Player. If the Playback Controls are not visible, from the Window Menu, choose Playback Controls. Click the Play button to review playback. Finale plays your score using the Garritan instruments you selected.
Remember that each incarnation of the Aria Player only accommodates 16 instruments. Therefore, if you would like to use separate GPO instruments for 17 or more staves, you will need to add another device in the Audio Units Instruments dialog box. Refer to Aria Player in the User Manual for details. See also the GPOHP Tutorial Supplement. If you plan to use Garritan instruments regularly, set staves to consecutive ascending channels in the Instrument List as we did in this tutorial. (Set the top staff to channel 1, second staff to channel 2, etc.) When you do so, you can simply add instruments to the Aria Player in the same order as instrument staves in the score. Also note the Document Setup Wizard automatically assigns channels to staves this way. Note that the channel list in the Aria Player always reads 1-16, even while assigning instruments to Finale channels higher than 16 in the VST/AU Instruments dialog box (bank 17-32, bank 33-48, etc).
The Mixer
As you listen to your document, you may discover a need to adjust the balance of individual staves. For example, you may want to increase the volume of the flute section, or move the trumpet section to the right side of the stage using panning controls. You can use Finale’s Mixer controls to make these adjustments. The Mixer allows you to make real-time playback adjustments to the full score, or each staff individually. The mixer settings you apply are post-processed on top of existing playback data, so all existing MIDI data, including HP, is left as-is (as if you were sending the music from your computer through a conventional mixer). Mixer settings appear in the Mixer window and Staff Controls. There is even a view, Studio View, designed specifically for auditioning your score. To view these controls, do the following.
Volume, panning, and instrument controls in the Mixer and Studio View Staff Controls are linked. A change to a setting in one of these two places applies to both.From the View Menu, choose Studio View. Your music is stretched across the page as if you were in Scroll View. The Staff Controls appear to the left of your staves. The Staff Controls are permanently affixed to the left of your staves in Studio View (and only available in Studio View).From the Window Menu, choose Mixer. The Mixer window appears. All the staff controls appear at first. In the following example the Mixer is minimized. Mac users, click and drag the lower right-hand corner to adjust the size of the mixer. Windows users, move your cursor over the edge until you see a double-sided arrow, then click and drag to resize the mixer.
The Master controls apply to the full score and include a volume slider, reverb dial and room size dial. Staff Controls include a volume slider, pan dial, and instrument selector, as well as Solo, Mute, and Record buttons. All Staff Control settings are redundant to the staff controls in the Mixer. All Mixer/Staff Control settings are saved with the document, so your music will sound the same the next time you open it.
Now, let’s take a quick tour of the Mixer controls and explore some real-time playback effects:Click the Play button in the Playback Controls. The following steps should be performed during playback. It is a short piece, so if you reach the end, just click the play button again and continue where you left off.Click the Master Volume Slider in the Mixer and drag to adjust the volume. Then, to make fine adjustments, use the up and down arrows to move the slider incrementally. You can also view these changes, or enter them manually, in the Instrument list.Click the INST LIST button at the bottom of the Master control pane. The Instrument List appears. Click the Title Bar at the top and position it so it is not obstructing the Mixer or Staff Controls.In the Staff Controls on the left side of the screen. Click and drag a Pan dial counterclockwise as far as possible for one of the Piano staves. When you release the mouse button, a small box displays the current value. Notice the piano shifts to the left speaker or headphone. Also notice the sympathetic response in the Pan text boxes of the Instrument List. You can also type a MIDI value (1-127) in any of these text boxes to specify a precise value.
Volume, panning, and instrument controls in the Mixer and Studio View Staff Controls are linked. A change to a setting in one of these two places applies to both.To the left of the String staff, Click the “S” button in the Staff Controls. You are now listening to a string solo. Click “S” again to hear all the staves. The “M” performs the opposite function of muting a staff. You can mute or solo as many staves as you want.Finally, click the Reverb dial and drag clockwise. The Reverb and Room Size effects apply only to the overall output.
Human Playback
Finale includes a powerful capability to interpret articulations, expressions, hairpins, and other markings, and generate playback that simulates a live human performance. This feature, called “Human Playback,” can be set to emulate a specific musical style, such as classical, baroque, or jazz, and can even recognize and interpret expression text that appears in the score, such as “rit.” or “cresc.”, and adjust the tempo or dynamic level accordingly. Human Playback will even include Smart Shapes in its interpretation including crescendos/diminuendos (hairpins), glissandos, and trills. If your goal is to create a MIDI performance that sounds closer to a human performance, try these options first.
Caution: If you are using the Human Playback feature, MIDI data assigned to the document manually with the MIDI Tool or Expression Tool will not apply to the MIDI performance. To turn off Human Playback, in the Playback Settings, under Human Playback Style, choose None. (You can still apply Human Playback to regions of your score with the Apply Human Playback plug-in).
When you start a new Finale document, Human Playback is on by default and set to the “Standard” playback style. Simply add some of the markings just mentioned and playback the score to hear Human Playback at work. To customize Human Playback’s interpretation, do the following:Windows users, click the Playback Settings icon on the playback controls. Macintosh users, click the expand arrow on the Playback Controls. The Playback Settings appear.From the MIDI/Audio menu, choose Human Playback, and select the desired style. For example, the Jazz style adds a swing feel to the piece. The Baroque style performs articulations according to standard baroque performance standards.Choose None to turn off Human Playback.
Click Human Playback Preferences to customize Human Playback’s interpretation.
You can also apply Human Playback to a region of your score using the Apply Human Playback plug-in. To do this, first, set Human Playback to None in the Playback Settings (Mac: Playback Controls), then highlight a region of your score with the Selection Tool and from the Plug-ins Menu, choose Playback > Apply Human Playback. See Playback in the User Manual for more details.
If you want more control over every detail of Finale’s MIDI performa
https://diarynote.indered.space
コメント